- Metropolis ark 1 recorded in position or centered how to#
- Metropolis ark 1 recorded in position or centered full#
- Metropolis ark 1 recorded in position or centered series#
Jan adds: “With the library, we have the ability to kill all of the room microphones so you then have a really close sound. “As far as the spot microphones go, we have two channel-top microphones four channel-bottom microphones, which are physically placed lower down to get the bass sound, and four for the violas which are standard condensers and a Coles especially for the violas, to make them smoother.” “I think we generated a lot of new customers with it, because it was affordable and you got it all in one solution.“ It turned out to be the right decision and one that raised the profile of Orchestral Tools way beyond what they’d expected. Then we thought: ‘What if we do a collection for epic stuff?’ and that’s when we came up with Metropolis.”
Metropolis ark 1 recorded in position or centered full#
“We decided to do a full collection for people who are doing other styles of music, not only film music, maybe trailer music or even rock music, things like that.
Metropolis ark 1 recorded in position or centered series#
Recognising that the Berlin Series was all about fine quality, Orchestral Tools decided to do something a little more, well, ‘in your face’ for its next project… In Berlin Strings, for example, there is a huge list of articulations you have to understand.” Metropolis Recording
Metropolis ark 1 recorded in position or centered how to#
You really do get all of the articulations and can do really detailed instrumentation, but we’d say it’s really a tool for professionals, because you really have to know how to use the recordings. The Berlin Series is like the fine pencil. So when the makers of Metropolis invited us along to the sessions for the follow-up, we jumped at the chance: Berlin, the chance to brush up on our orchestral recording knowledge… what’s not to like? This bombastic and dramatic set of sounds was described by the late, great Keith Gemmell as “a terrific orchestral library that contains just about everything required for composing and producing loud, powerful and epic music”, before bestowing that MusicTech 10/10 Excellence Award on it. One of these has quickly become a MusicTech favourite since we discovered it scaring its neighbours at the NAMM show with demos of its (then new) Metropolis Ark 1 collection. Luckily, there are plenty of companies that sit somewhere between those two extremes who can take a lot of the effort out of the equation for you, while still producing exceptional-quality results. You have to know what to do with said orchestra, where to place them, how to mic them, record them, feed them… The former won’t get you anywhere and the latter will not only cost, but is fraught with its own problems. When it comes to using orchestral music in your productions, there are so many options these days: from using terrible GM sounds on ancient digital keyboards, to hiring your own orchestra – at enormous expense.
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